Awakening A Gay Cock Pt 2

Taking me deep—no gagging, relaxing his throat—then backing off with a flourish of his tongue and lips around my cock head that makes me weak in the knees.
Part 1
*****
November 6, 2009
From: Lawrence Ryan
To: Douglas Monroe
Subject: Re: Ronald Gordon’s plays
Dear Mr. Monroe,
I hope you can forgive the slight prevarication in my earlier missive. I am, in fact, still here in Lexington, but I was expecting to leave the next day when I received your e-mail, and did not believe I had the time to fit in a visit with you before my departure. As it turns out, I have had to postpone the return flight that was originally scheduled to leave this morning. If you happen to be available any time this afternoon or evening, I would be pleased if you could join me for a drink here at the Hotel Lexington. Do let me know.
Regards,
Larry Ryan
P.S. Our mutual friend speaks very highly of you.
* * *
* Larry *
Doug Monroe’s website sports a suitably moody black-and-white portrait, but I am more interested in getting the sound files of his work to play than I am in contemplating what some creative photographer’s lens has made the man himself appear to be. Having been in this business forty-some years, I know all too well how skillfully deceptive an artful headshot can be.
According to his online bio, Monroe launched his career fairly young with a well-regarded orchestral piece that still appears on concert programs from time to time. However, the bulk of his work since seems to have been chamber music: The website lists an array of testimonials from string quartets, wind ensembles, and less traditional groups of instruments that have performed his compositions to general acclaim over the last two decades. The most common word critics seem to use to describe his work...